Descriptive Composition: English – First Language 0500 (Cambridge O Level / IGCSE)

Syllabus W1, W2, W3, W4, W5 · Strand 5 Composition: Descriptive and Narrative Writing

Questions
10
Total marks
59
Tier mix
10 Core

0 of 10 questions completed

Quick-fire this topic Practice set

Syllabus coverage

  • W1 4 questions
  • W2 6 questions
  • W3 6 questions

Descriptive composition asks you to bring a person, place, object or moment to life using detail rather than plot. Nothing needs to “happen.” Success depends on selecting a small number of vivid, specific details rather than listing everything you can think of, and on engaging more than sight: sound, smell and texture are used far less often, so they tend to stand out.

The most effective descriptions are organised spatially or by focus (wide shot to close-up, or one sense to another) rather than as a random list of observations. Figurative language (metaphor, simile, personification) should serve the picture being built, not appear for its own sake, and sentence length can vary deliberately: short for impact, longer to build atmosphere. Strong responses imply mood through detail rather than stating it, showing rather than telling. A common pitfall is over-describing every object at equal length, or slipping into narrative by introducing action the task did not ask for.

The exercises below give a descriptive title to respond to, each followed by a full worked model composition and technique notes.

Question 1

Structured 10 marks

Write the opening paragraph (about 80–100 words) of a description titled "The Night Market", establishing atmosphere primarily through sound and smell rather than through what can be seen. [10]

Do not introduce a story, or any action beyond simple movement through the scene. This is a piece of description, not narrative.

Question 2

Structured 4 marks

The sentence below tells the reader the writer's feeling directly, rather than showing it through detail.

"Grandad's kitchen was cosy and made me feel safe."

Rewrite this as two or three sentences that show the same feeling, using sensory or physical detail, without using the words "cosy," "safe," or any other word that directly names the feeling. [4]

Question 3

Structured 6 marks

In the extract below, the writer has used the verb "went" three times. This flattens the description and misses a chance to add precise detail through verb choice alone.

"The old man went across the road, avoiding the puddles. At the corner, a stray dog went past him, its ribs visible beneath a matted coat. Overhead, the last of the starlings went towards the church tower, calling to each other in the fading light."

Suggest one precise verb to replace each instance of "went" (three verbs in total), and for each, explain briefly what effect your chosen verb has on the picture the reader forms. [6]

Question 4

Multiple choice 1 mark

Which of these sentences shows, rather than tells, the reader that Priya is nervous while she waits outside the interview room? [1]

Question 5

Structured 9 marks

Write three or four sentences describing an abandoned seaside pier at dusk. Use exactly one simile and one instance of personification to build a single controlling mood of decay and abandonment, and no other figurative language beyond these two devices. [9]

Question 6

Multiple choice 1 mark

A rusting bicycle has been left leaning against a fence in tall grass. Which of these sentences about it uses personification? [1]

Question 7

Structured 5 marks

A candidate is planning a description of an elderly flower-seller on a market corner and has brainstormed six possible details:

  1. She had old hands.
  2. Her fingers were stained a faint green from decades of trimming stems.
  3. She wore a cardigan.
  4. Every few minutes, she nudged one crooked stem back into line so the bucket looked symmetrical again.
  5. She was probably in her seventies.
  6. A cracked watch, stopped at some hour long past, hung loose on her wrist.

Select the three details that would make the strongest description, and for each of the three you reject, explain in one sentence why it is too generic to keep. [5]

Question 8

Structured 7 marks

Write a description (4–5 sentences, about 70–90 words) of a cluttered attic room. Organise it spatially: begin with a wide view of the whole space, then deliberately narrow in so that the final sentence focuses closely on a single specific object. Do not introduce a character or any action beyond simple movement of light or dust. [7]

Question 9

Structured 6 marks

The two sentences below are almost the same length, so the passage has no variation in rhythm and nothing lands with any particular impact.

"The sky went dark very quickly and the wind began to pick up speed across the open field. The first fat drops of rain landed on the dry earth and within moments the storm had fully arrived."

Rewrite this as three sentences describing the same moment, including at least one very short sentence (no more than five words) for impact and one longer, flowing sentence (at least twenty words) that builds atmosphere through accumulating detail. Then, in one sentence, explain the effect of your short sentence. [6]

Question 10

Structured 10 marks

The passage below is meant to be a pure description of a derelict greenhouse, but one sentence slips into narrative by introducing a character who performs a sequence of actions with a clear beginning, middle and end.

"The greenhouse stood at the far end of the garden, its glass panes furred with algae and cracked in three long fractures across the roof. Vines had pushed up through gaps in the paving and wound themselves around a rusted iron frame that no longer held any plants. A fox slipped in through a broken pane, sniffed at a shattered plant pot, then padded quickly back out into the evening, leaving a faint trail through the dust. Every surface was coated in a fine grey film, undisturbed except where light fell in broken shafts through the missing glass."

(a) Identify which sentence slips from description into narrative, and explain in one sentence why. [3]

(b) Rewrite that sentence so that it remains purely descriptive detail about the greenhouse, with no sequence of action performed by a character. [7]